Friday, February 10, 2012

Arts

Lucian Freud Large InteriorVISUAL ARTS 9:12pm

Specimens of humanity

Lucian Freud’s portraits have the ability to ‘astonish, disturb, seduce and convince’ Jackie Wullschlager, as the artist intended

Culture Column

A 1943 photograph of the 16-year-old Princess Elizabeth
Nobody better understands modern Britain than the Queen and Paul McCartney
Gallerists and artists are rushing to be part of the increasingly successful India Art Fair
– Jan Dalley
Whitechapel Gallery9:12pm

Interview with Rachel Whiteread

The English sculptor tells Rachel Spence about her first permanent public artwork in the UK, a frieze for the Whitechapel Gallery

Lena Willemark (left) and Leo Svensson with ice celloMUSIC 9:13pm

Cold play

IceMusic, the only festival in the world to showcase musical instruments made out of pure frozen water, offers its visitors a variety of perks

Yuko Miyamoto and Shinya Kote in ‘The Dark Harbour’FILM & TELEVISION 9:13pm

Foreign relations

There’s more to Japanese cinema than animation and horror, as a new touring programme shows

Nick Ormerod and Declan DonnellanTHEATRE & DANCE 9:13pm

Two’s a company

After 31 years, Cheek by Jowl is expanding from the theatre to the big screen

A 1980s lithograph by David HockneyCOLLECTING 9:14pm

The Art Market: Sales, resales and no sales

Rollercoaster results in London; ARR case settles in California; Freud and Hockney for sale

MUSIC 9:14pm

LPO/Alsop/Hough, Royal Festival Hall, London

Stephen Hough is a perfectionist and delight in precision makes him closer to the standard virtuoso in Liszt

Orphée et EurydiceTHEATRE & DANCE 9:14pm

Orphée et Eurydice, Palais Garnier, Paris

This ‘dance opera’ set to Gluck entered the repertoire of the Paris Opera Ballet in 2005 and the current revival does it complete justice

ArmideMUSIC Feb 9, 2012

Armide, Juilliard School New York

This rare semi-staged revival of Gluck’s opera cast a magical spell, writes Martin Bernheimer

THEATRE & DANCE Feb 8, 2012

Master Class, Vaudeville Theatre, London

Tyne Daly conveys the mercilessness of Maria Callas in this transfer from Broadway, writes Ian Shuttleworth

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